So, here we are in June. Six months into my year of stories - entering at least one short story competition every month. The first one I entered, way back in January, was in Writing Magazine this month, so from here on in I will be desperately searching for my name in the shortlists...it wasn't there this month.
I've almost forgotten that what I REALLY want is an email to congratulate me on winning one!
Although I will be glad to go back to focussing on writing longer fiction, I am sure it is doing me good, this writing a range of genres, with a tight word-count. I really wasn't keen on writing a children's story and it was more fun than I thought. Next I've got to write an adult fairy story, and I was dreading that. After a two-hour plotting session at the local soft-play centre at half term, while my children zipped around like demented moths, I've actually got so many ideas burning to squiggle out of my fingers that I'm afraid of starting. I've got that fizzy feeling you get when something is going well, and you know it could be good (as long as you don't cock it up between concept and keyboard).
I'm still struggling to know if I'm being original enough - clearly originality is not my strength - but I'm loving the creating, the writing and even (dare I admit it?) the editing. It doesn't feel too scary, editing 2000 words or so.
I'm afraid now, though. Until now, I was able to send these stories off into the great blue yonder with little thought of what they might meet, but now that the first has been judged, and deemed unworthy of anything, I know that the news is going to be on the rest, slowly but relentlessly, month after month, they will be judged. And unless I get that email, it will be rejection after rejection.
I said to a friend, "What if I get to the end of the year, and haven't been placed let alone won?"
He said, "Would you stop writing?"
I didn't even have to think about that one. So I suppose I'll have to weather any rejection, implied or worse, and accept that I'm having a blast writing....and that makes it worthwhile.
writing while the kids sleep
Sunday, 9 June 2013
Saturday, 18 May 2013
Bite-sized chunks
I'm reading a biography of Lucy Maud Montgomery, creator of Anne of Green Gables and many other novels. It's a scholarly and interesting read, but I've been fascinated by how many plates she was spinning, all the while being prone to blue patches like my own.
Apparently, one of her secrets was that she 'only' wrote for two hours a day. Two hours doesn't sound a lot, does it? For a full-time writer. Who had to write everything without the benefit of computers. (Imagine how long correcting a draft would take). But it was enough for her. She was prolific. If you spend the minutes and hours, the days and months take care of themselves, I suppose.
Which all goes to show, cultivating a writing habit is definitely the way to go.
And on that note, back to the story-writing I go.
Apparently, one of her secrets was that she 'only' wrote for two hours a day. Two hours doesn't sound a lot, does it? For a full-time writer. Who had to write everything without the benefit of computers. (Imagine how long correcting a draft would take). But it was enough for her. She was prolific. If you spend the minutes and hours, the days and months take care of themselves, I suppose.
Which all goes to show, cultivating a writing habit is definitely the way to go.
And on that note, back to the story-writing I go.
Thursday, 2 May 2013
Apprenticeship
I'm trying not to feel discouraged at the moment. So far all my efforts this year have resulted in no success in competitions. Was it arrogant to think they might?
I have enough on to keep myself positive; the next project(s) are alluring enough to soften the perceived rejection. This month's Writing Magazine contained some real encouragement from well-published author Judith Cutler. She says, "Writing is a craft you have to learn: you wouldn't expect an apprentice bricklayer to build a mansion at the end of his first week, would you?"
This is why writing magazines are so valuable while you're trudging through these learning experiences...little nuggets of encouragement. I'll be digesting the rest of the magazine over the next couple of days, and hoping for more inspiration!
I have enough on to keep myself positive; the next project(s) are alluring enough to soften the perceived rejection. This month's Writing Magazine contained some real encouragement from well-published author Judith Cutler. She says, "Writing is a craft you have to learn: you wouldn't expect an apprentice bricklayer to build a mansion at the end of his first week, would you?"
This is why writing magazines are so valuable while you're trudging through these learning experiences...little nuggets of encouragement. I'll be digesting the rest of the magazine over the next couple of days, and hoping for more inspiration!
Friday, 26 April 2013
Feedback Blues
This week I had some feedback on a story I was really happy with. I'm feeling discouraged generally at the moment, with stresses at home and at work, which are leaving me stretched a bit thin. So I only gave the feedback two cursory reads - one to get the gist and one to try to glean some information.
All it really did was make me feel sick with disappointment - there were positives, but there was plenty of advice, too, and in my current frame of mind, my attention skidded across the praise and only snagged on the bits that said, "You really are never going to be any better than mediocre, you waste of space, and have no talent worth mentioning."
Oh dear. Some weeks I really ought to just stay in bed. I was genuinely surprised by how negative I felt about receiving feedback, and how 'rejected' I felt ...but I know that this is fleeting. And next week I'll know how I've done in the Cornerstones competition...though I think I already know.
All it really did was make me feel sick with disappointment - there were positives, but there was plenty of advice, too, and in my current frame of mind, my attention skidded across the praise and only snagged on the bits that said, "You really are never going to be any better than mediocre, you waste of space, and have no talent worth mentioning."
Oh dear. Some weeks I really ought to just stay in bed. I was genuinely surprised by how negative I felt about receiving feedback, and how 'rejected' I felt ...but I know that this is fleeting. And next week I'll know how I've done in the Cornerstones competition...though I think I already know.
Monday, 22 April 2013
Warning: Flashback included!
Last year I had the opportunity to write a column for the local newspaper. There were no financial rewards, only the chance to build a 'platform' and get in some precious practice. However, the governors at the school I teach at were wary of me doing this, so I had to turn it down.
You might think, as I did, that I was shutting a door on my ambition to write, but the process has given me some confidence. Now I know of a local parenting magazine which is about to launch, and I gritted my teeth and made contact, offering to write an article or two. The remuneration will be the same as the local rag, but I think I can stay anonymous and I'm already working on article one. Fingers crossed it will be acceptable. Would love to see my pseudonym in print.....if I can think of one!
You might think, as I did, that I was shutting a door on my ambition to write, but the process has given me some confidence. Now I know of a local parenting magazine which is about to launch, and I gritted my teeth and made contact, offering to write an article or two. The remuneration will be the same as the local rag, but I think I can stay anonymous and I'm already working on article one. Fingers crossed it will be acceptable. Would love to see my pseudonym in print.....if I can think of one!
Schoolgirl error
I sent the castle story today. At the last moment, I recognised one of its problems, but had no time to fix it. (A sign of a lazy writer, undeserving of any success!)
The story is about things that happen to my main character. Although her character develops, and she learns from her experience (as much as is possible in 1600 words) she doesn't fix the problem herself. I think I've set that up well enough...but I'm not sure.
The story is about things that happen to my main character. Although her character develops, and she learns from her experience (as much as is possible in 1600 words) she doesn't fix the problem herself. I think I've set that up well enough...but I'm not sure.
Monday, 15 April 2013
Where's my sparkle?
I'm having a crisis of confidence in my writing. I'm wondering if I'm as deluded as those people who audition for the X-factor when they have voices like a gearbox crunching. Perhaps I have nothing to offer; no basic skills that can be honed to perfection; no originality.
It's the originality that's bothering me most. It doesn't help that I've read some superb novels lately, which have either been told with a striking voice or had plots that have hooked and amazed me. I have neither a distinctive voice, nor do I have any surprises up my sleeve.
I've nearly completed my fourth story for my year of stories. I've entered a competition a month so far (and a few extra) and am beginning to doubt that any will find success. This fourth story is set in a castle, and I've thoroughly enjoyed writing it. (Some of the other stories have been hard work. Some genres or lengths are outside my comfort zone).
As I read through it tonight, though, I couldn't help swooping outside myself and looking at it in a moment of objectivity (not entirely welcome objectivity). And it seemed predictable. I imagined the judge(s) with their sheafs of wonderful stories - some that were poorly presented, or badly written, some that were predictable as mine, and some that made them gasp, or laugh. And I can see that my work isn't standing out from the crowd. Maybe I am just too dull, personally, with my madding whirl of children and domesticity and career to produce anything with the sparkle and charge that I want to.
Perhaps you can buy sparkle on eBay. Will have to look into it. Meanwhile...I'l keep plodding on.
It's the originality that's bothering me most. It doesn't help that I've read some superb novels lately, which have either been told with a striking voice or had plots that have hooked and amazed me. I have neither a distinctive voice, nor do I have any surprises up my sleeve.
I've nearly completed my fourth story for my year of stories. I've entered a competition a month so far (and a few extra) and am beginning to doubt that any will find success. This fourth story is set in a castle, and I've thoroughly enjoyed writing it. (Some of the other stories have been hard work. Some genres or lengths are outside my comfort zone).
As I read through it tonight, though, I couldn't help swooping outside myself and looking at it in a moment of objectivity (not entirely welcome objectivity). And it seemed predictable. I imagined the judge(s) with their sheafs of wonderful stories - some that were poorly presented, or badly written, some that were predictable as mine, and some that made them gasp, or laugh. And I can see that my work isn't standing out from the crowd. Maybe I am just too dull, personally, with my madding whirl of children and domesticity and career to produce anything with the sparkle and charge that I want to.
Perhaps you can buy sparkle on eBay. Will have to look into it. Meanwhile...I'l keep plodding on.
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